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Entheogenic is a musical project formed in 1999 by Piers Oak-Rhind and Helmut Glavar, known for blending psybient and ethnic world music styles. Their music explores themes of consciousness and spirituality, characterized by a fusion of electronic and organic sounds.
“At times in my life I take breaks from certain artists cause I listen to many, but when this hits my ears, I wake up and smile at everything this world has to offer me”
“Love the latest album "Animism" and I'm lucky to re-discover this great band after more than 5 years or so. thanks lastfm for reminding me that I already listened to them in 2012 lol”
“Does anyone else have an impression that "Hypatia" has a little different vibe than the previous albums? For me it sounds a lot more melancholic.”
“Чего не говори, но когда Entheogenic используют акустическую гитару в композиции, это очень чисто, мелодично и качественно”
Entheogenic has a Quality-to-Fame Gap Score of 21 out of 100. they have notable achievements including featured in curated playlists.
Entheogenic works in psychedelic electronic, psybient originating from unknown. As a music artist at the "indie" level, Entheogenic has a Wikipedia presence and is categorized within the broader psychedelic electronic scene. They operate independently of major label systems.
Entheogenic has approximately 75K monthly listeners on Spotify. They also have 9K YouTube subscribers. This is a solid independent following but well below what their quality signals suggest they deserve.
Fans of Entheogenic often also enjoy Shpongle, Bluetech, Entheogenic, Carbon Based Lifeforms, Aes Dana. These artists share common ground in the psychedelic electronic space and/or the unknown music scene. If you appreciate Entheogenic's approach to psychedelic electronic, these artists offer similar qualities.
With a Gap Score of 21/100, Entheogenic's artistic quality significantly exceeds their current level of recognition (indie). Contributing factors: they operate without major label backing, which limits access to radio play, editorial playlists, and mainstream press coverage; being based in unknown, they face additional barriers to visibility in the English-language-dominated global music industry.