We Are The In Crowd is a pop punk and alternative rock band from Poughkeepsie, New York, formed in 2009. Known for their energetic performances and vocal dynamics, they were active until 2016 and made a return to the stage in 2022.
“PLEASE COME BAAAAAAAAAACK!!!!!!!!! WATIC will forever be one my most favorite bands, regardless if they made more music or not, but i would be *so* happy if they did. there's just no other band out there that sounds like them.”
“tay jardine you were my queer awakening <3333 finding out that you too were on a queer journey a decade later is so beautiful T_T”
“Saw them perform once with Sparks The Rescue and was a fan ever since! Shame they stopped”
“i used to run a fanpage for them ): rip to an incredible band. they shouldve been on the wwwy bill”
“I am delighted to see them playing gigs once more, here is hoping for some new music from our favourite Poughkeepsie wonders.”
“i love their style and music so much!!!!!!!!!!”
We Are The In Crowd has a Quality-to-Fame Gap Score of 28 out of 100. Their current fame level is "established" which our analysis suggests does not reflect their artistic quality.
We Are The In Crowd works in pop punk, alternative rock originating from United States (New York). As a music artist at the "established" level, We Are The In Crowd has a Wikipedia presence and is categorized within the broader pop punk scene. They operate independently of major label systems.
We Are The In Crowd has approximately 566 monthly listeners on Spotify. They also have 2.0M YouTube subscribers. This places them in the niche tier — a small but dedicated fanbase.
Fans of We Are The In Crowd often also enjoy Paramore, All Time Low, Mayday Parade, PVRIS, Tonight Alive. These artists share common ground in the pop punk space and/or the United States music scene. If you appreciate We Are The In Crowd's approach to pop punk, these artists offer similar qualities.
With a Gap Score of 28/100, We Are The In Crowd's artistic quality significantly exceeds their current level of recognition (established). Contributing factors: they operate without major label backing, which limits access to radio play, editorial playlists, and mainstream press coverage; with 566 monthly listeners, they haven't yet crossed the algorithmic threshold where streaming platforms begin recommending them organically.