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WELL LOVED

The Thing

jazz·Music·indie·Norway
WELL LOVED
Quality and recognition well-matched
LISTENERS
125
YT SUBS
5
CHAMPIONS
0

The Thing is a prominent Norwegian/Swedish jazz trio formed in 2000, known for their energetic live performances and collaborations in the free jazz genre. They have established their own record label, The Thing Records, to consolidate their music releases.

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WHAT FANS SAY (2)

Не передать словами, насколько они были хороши на концерте, обожаю их музыку!

Last.fm user · lastfm

fantastic live show, and fantastic on record

Last.fm user · lastfm
SIMILAR ARTISTS (5)
FREQUENTLY ASKED (5)
Q:Is The Thing underrated?

The Thing has a Quality-to-Fame Gap Score of 9 out of 100. Their current fame level is "indie" which our analysis suggests does not reflect their artistic quality.

Q:What genre is The Thing?

The Thing works in jazz originating from Norway (Oslo). As a music artist at the "indie" level, The Thing has a Wikipedia presence and is categorized within the broader jazz scene. They operate independently of major label systems.

Q:How many monthly listeners does The Thing have?

The Thing has approximately 125 monthly listeners on Spotify. They also have 5 YouTube subscribers. This places them in the niche tier — a small but dedicated fanbase.

Q:Who are similar artists to The Thing?

Fans of The Thing often also enjoy Nils Frahm, The Bad Plus, John Zorn, Kurt Rosenwinkel, Sun Ra Arkestra. These artists share common ground in the jazz space and/or the Norway music scene. If you appreciate The Thing's approach to jazz, these artists offer similar qualities.

Q:Why isn't The Thing more famous?

With a Gap Score of 9/100, The Thing's artistic quality significantly exceeds their current level of recognition (indie). Contributing factors: they operate without major label backing, which limits access to radio play, editorial playlists, and mainstream press coverage; with 125 monthly listeners, they haven't yet crossed the algorithmic threshold where streaming platforms begin recommending them organically; being based in Norway, they face additional barriers to visibility in the English-language-dominated global music industry.