QUICK SCAN ONLY

We have basic signals on this artist but no full dossier yet. A full investigation pulls fan quotes, similar artists, and a complete gap analysis — uses 1 of your monthly investigation credits.

FULL INVESTIGATION →
SK
✨ NEWLY DISCOVERED

Skazi

Psychedelic Trance·Music·indie·Israel
✨
NEWLY DISCOVERED
Just found — still building their story
LISTENERS
274K
CHAMPIONS
0

Skazi is an Israeli electronic dance music project formed in 1998 by Asher Swissa and Assaf Bivas, known for their unique blend of various electronic music genres, particularly psychedelic trance. The project has faced recent controversies due to Asher Swissa's political views, impacting their public perception and performance opportunities.

CREATE FULL DOSSIER →
SIMILAR ARTISTS (5)▼
FREQUENTLY ASKED (5)▼
Q:Is Skazi underrated?

Skazi has a Quality-to-Fame Gap Score of 0 out of 100. Their current fame level is "indie" which our analysis suggests does not reflect their artistic quality.

Q:What genre is Skazi?

Skazi works in Psychedelic Trance originating from Israel. As a music artist at the "indie" level, Skazi has a Wikipedia presence and is categorized within the broader Psychedelic Trance scene. They operate independently of major label systems.

Q:How many monthly listeners does Skazi have?

Skazi has approximately 274K monthly listeners on Spotify. A significant audience, though their gap score suggests room for much wider recognition.

Q:Who are similar artists to Skazi?

Fans of Skazi often also enjoy Shpongle, Astral Projection, GMS, Vini Vici, Infected Mushroom. These artists share common ground in the Psychedelic Trance space and/or the Israel music scene. If you appreciate Skazi's approach to psychedelic trance, these artists offer similar qualities.

Q:Why isn't Skazi more famous?

With a Gap Score of 0/100, Skazi's artistic quality significantly exceeds their current level of recognition (indie). Contributing factors: they operate without major label backing, which limits access to radio play, editorial playlists, and mainstream press coverage; minimal social media and YouTube presence limits their discoverability outside of direct music platforms; being based in Israel, they face additional barriers to visibility in the English-language-dominated global music industry.