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BI
♥ WELL LOVED

BiSH

Idol pop / Punk rock·other·indie·Japan
♥
WELL LOVED
Quality and recognition well-matched
LISTENERS
1K
YT SUBS
468K
CHAMPIONS
0

BiSH is a Japanese all-female idol group formed in 2015 by manager Junnosuke Watanabe as a successor to BiS, blending idol pop with punk rock and performing without instruments. Signed to avex trax since 2016 and managed by WACK, the group disbanded on June 29, 2023, leaving behind members such as AiNA THE END and AYUNi D.

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NOTABLE ACHIEVEMENTS (5)▼
  • •Active, dedicated fanbase with a subreddit and 70/100 user rating (43 ratings) on Album of the Year
  • •Signed to avex trax in 2016
  • •Disbanded June 29, 2023 after an 8-year run
  • •Formed as successor group to BiS under manager Junnosuke Watanabe
  • •Debut performance in April 2015
SIMILAR ARTISTS (5)▼
FREQUENTLY ASKED (5)▼
Q:Is BiSH underrated?

BiSH has a Quality-to-Fame Gap Score of 5 out of 100. they have notable achievements including active, dedicated fanbase with a subreddit and 70/100 user rating (43 ratings) on album of the year.

Q:What genre is BiSH?

BiSH works in Idol pop / Punk rock originating from Japan. As a other artist at the "indie" level, BiSH has a Wikipedia presence and is categorized within the broader Idol pop scene. They are signed to a major label.

Q:How many monthly listeners does BiSH have?

BiSH has approximately 1K monthly listeners on Spotify. They also have 468K YouTube subscribers. This places them in the niche tier — a small but dedicated fanbase.

Q:Who are similar artists to BiSH?

Fans of BiSH often also enjoy PassCode, Atarashii Gakko!, Chai, BiS, BABYMETAL. These artists share common ground in the Idol pop space and/or the Japan other scene. If you appreciate BiSH's approach to idol pop / punk rock, these artists offer similar qualities.

Q:Why isn't BiSH more famous?

With a Gap Score of 5/100, BiSH's artistic quality significantly exceeds their current level of recognition (indie). Contributing factors: with 1K monthly listeners, they haven't yet crossed the algorithmic threshold where streaming platforms begin recommending them organically; being based in Japan, they face additional barriers to visibility in the English-language-dominated global music industry.